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  • Patrick McHenry and global financial leaders to speak at The Asian Banker Summit 2026 in Kuala Lumpur

    Patrick McHenry and global financial leaders to speak at The Asian Banker Summit 2026 in Kuala Lumpur

    The 27th edition of The Asian Banker Summit will convene senior banking, regulatory and technology leaders from over 25 countries in Kuala Lumpur on 13–14 May 2026 under the theme “Imagining the AI Bank”.

    KUALA LUMPUR, MALAYSIA – Media OutReach Newswire – 12 May 2026 – The Asian Banker Summit 2026 will convene its 27th edition in Kuala Lumpur, bringing together global policymakers, regulators, bankers and technology leaders to examine the next phase of financial services shaped by artificial intelligence, digital assets and cross-border financial integration.

    Patrick McHenry, former Chairman of the US House Financial Services Committee (2023–2025) and United States Congressman (2005–2025), will deliver the international keynote on “Legislating the Future of Finance”, addressing regulatory clarity, digital asset oversight and the evolving structure of global financial markets.

    Yang Berhormat Liew Chin Tong, Deputy Minister of Finance, Malaysia, will open the Summit with a keynote on “Capital, Policy and Growth in the Age of AI”, outlining Malaysia’s financial-sector priorities and digital economy ambitions. Yang Berhormat Gobind Singh Deo, Minister of Digital, Malaysia, will deliver the closing keynote on “From the AI Bank to AI Native Economies”, addressing how governments, regulators and industry can build the infrastructure, policy frameworks and institutional capabilities required to support AI-led economic transformation.

    The opening session will include a welcome note by Dato’ Sri Khairussaleh Ramli, President and Group CEO of Maybank and Chairman of The Association of Banks in Malaysia. His remarks will place Malaysia’s banking sector within the context of the Summit theme and examine how banks, regulators and technology partners can work together to build trusted, practical and connected financial infrastructure across the region.

    The Summit will also feature Simon See, Global Head of the NVIDIA AI Technology Centre, who will address the operational realities of deploying artificial intelligence at scale, including infrastructure readiness, governance and the transition from pilot programmes to production environments.

    The 2026 programme, themed “Imagining the AI Bank”, will focus on artificial intelligence deployment in banking, real-time financial infrastructure, digital asset regulation and the next phase of cross-border financial connectivity. More than 75 speakers across three flagship conferences and a series of closed-door roundtables will examine how financial institutions, regulators and technology firms are responding to structural changes in global finance.

    The Summit will welcome more than 600 senior participants from over 25 countries, including central banks, regulatory authorities and leading financial institutions.

    Senior regulators and multilateral bodies in the room include Bank Negara Malaysia, the Monetary Authority of Singapore, Bank Indonesia, the Financial Services Agency of Japan, Securities Commission Malaysia and the Asian Development Bank.
    Financial services are being reshaped in real time through artificial intelligence, digital asset regulation and the reconfiguration of cross-border financial flows. Bringing global policymakers together with regional regulators and industry leaders creates a more complete view of how these changes are being implemented in practice,” said Foo Boon Ping, president and managing editor, TAB Global.

    Three flagship conferences and leadership dialogues
    The Summit programme is organised around three core conferences:
    • Financial Technology Innovation Conference – focusing on AI, data architecture, digital assets and next-generation banking models
    • Transaction Finance Re-Invented Conference – covering trade, supply chain finance, liquidity, real-time payments and transaction banking transformation.
    • Beyond Borders – examining cross-border financial connectivity, payments innovation and regional growth across ASEAN, North Asia, the Middle East and Africa
    These are complemented by closed-door roundtables for senior executives, including the Heads of Technology Roundtable, Heads of Transaction Banking Roundtable and a Leadership Dialogue Luncheon convening CEOs, regulators and invited guests.

    Organisers, supporters and sponsors
    The Asian Banker Summit 2026 is organised and produced by TAB Global, with support from the Asian Bankers Association, FIDE Forum, CIBE Alhuda, CapitalBay News, CryptoNewsZ, The Fintech Times and Times of AI.

    Host Bank: Hong Leong Bank
    Platinum Sponsors: Huawei and Ant Digital Technologies
    Major Sponsors: Deutsche Bank, TP (Teleperformance), Visa, Worldline, IBM
    Sponsors: ACI Worldwide, Atos, Fireblocks, Mambu, nCino, Nium, Red Hat, Systems and Temenos
    Exhibitors: Appian, Axe Finance, BPC, Cinimex, Entrust, Fano, ITRS, Sumsub, Thomson Reuters and Transwarp

    Media accreditation and coverage
    Media representatives are invited to attend selected sessions and keynote presentations. Interview opportunities with keynote speakers and Summit organisers are available on request. Accreditation requests should be directed to the media contact below.

    Final agenda details are available at: 🔗 https://www.theasianbanker.com/summit2026/
    Host venue
    Mandarin Oriental, Kuala Lumpur.

    Hashtag: #TABSummit2026 #AIinBanking #TheAsianBanker





    The issuer is solely responsible for the content of this announcement.

    About TAB Global

    TAB Global is a provider of research, intelligence and engagement platforms for the financial services industry across Asia, the Middle East and Africa. Founded in 1996, the group publishes The Asian Banker, runs The Asian Banker Summit and the Wealth & Society programme, and operates The Banking Academy.

  • 戴德梁行獨家代理出售山頂Mount Nicolson

    戴德梁行獨家代理出售山頂Mount Nicolson

    罕有雙連巨宅 市場矚目頂級豪宅機會

    香港 – Media OutReach Newswire – 2026年5月19日 – 戴德梁行獲業主委託,獨家代理出售位於東半山聶歌信山道8號Mount Nicolson之雙連巨宅單位3樓A及B室,該物業總實用面積約8,850平方呎。

    Mount Nicolson一直被譽為香港最具代表性的頂級豪宅項目之一,坐落於山頂傳統尊貴地段,供應極為稀少。項目配備完善保安系統及專屬管理服務,長期深受本地及國際超高淨值人士青睞。市場對大面積特色住宅需求殷切,而同類型超大戶單位更屬可遇不可求,極具珍罕價值。

    是次放售物業由兩個頂級單位無縫連接而成,空間布局大器磅礴,盡顯非凡氣派。單位樓底高達3.7米,配合全景落地玻璃設計,營造開揚通透的尊尚空間,不僅適合日常生活,更為宴客款待提供理想場地,盡顯屋主尊貴品味。同時,單位坐擁山頂地段優勢,視野遼闊,可飽覽壯麗景致,彰顯尊崇地位。

    物業設計靈活多元,特別適合高端用家按個人需要打造理想居所。單位可輕鬆規劃為設有豪華主人套房及共五間套房的尊尚住宅,並可配置多功能生活空間,包括私人娛樂區、家庭影院、健身室及專屬會客區等,全面滿足頂尖生活所需,兼顧私密性與功能性。

    戴德梁行香港資本市場部高級助理董事羅頌謙表示:「是次推出的雙連巨型單位,不論在面積、空間感及地段方面均極為稀缺,屬目前市場上少數可即時把握的頂級豪宅機會,兼具自用及投資價值,預料將成為高端市場焦點。此外,現時同區大戶型供應罕有,該物業以雙連形式連同豪華裝修推出,買家可即時享用完整空間,同時具備價格協同優勢,有效節省整合及裝修所需的時間與成本。」

    Mount Nicolson高清相片請在下載
    Hashtag: #戴德梁行

    The issuer is solely responsible for the content of this announcement.

    關於戴德梁行

    戴德梁行是享譽全球的房地產服務和諮詢顧問公司, 通過兼具本土洞察與全球視野的房地產解決方案為客戶創造卓越價值。戴德梁行遍佈全球60多個國家,設有350多個辦公室,擁有53,000名專業員工。在大中華區,23家分公司合力引領市場發展。2025年公司全球營業收入達103億美元,核心業務涵蓋估價及顧問服務、策略發展顧問、專案管理服務、資本市場、專案及企業服務、產業地產、商業地產等。戴德梁行致力於”戴領無限超越”,贏得眾多行業重磅獎項和至高榮譽。更多詳情,請瀏覽www.cushmanwakefield.com.hk,或關注我們的微信(戴德梁行)及領英專頁()。

  • Trump’s Beijing Welcome Banquet: Hisense Joins Top U.S. Tech Enterprises at Elite Table to Sustain Technological Leadership

    BEIJING, CHINA – Media OutReach Newswire – 19 May 2026 – During Donald Trump’s high-profile diplomatic visit to China, a state-level welcome banquet was hosted in Beijing, assembling global industry leaders from the semiconductors, consumer electronics, new energy and intelligent manufacturing sectors. Beyond diplomatic protocol, the banquet’s strategic seating arrangement sparked extensive industry discussion, with a dedicated elite tech table becoming the focal point of global industrial attention. Jia Shaoqian, Chairman of Hisense Group, was invited to the exclusive tech table, seated alongside iconic U.S. tech figures including Elon Musk, Tim Cook, Jensen Huang, and Tyson Jacob. The premium seating objectively validates Hisense’s worldwide technological prowess and authoritative industrial discourse power.

    The high-end roundtable establishes a premium communication channel bridging Chinese manufacturing and U.S. hard technology. While U.S. representatives cover artificial intelligence, advanced semiconductors and new energy vehicles, Hisense represents China’s sophisticated technology manufacturing with a multi-dimensional technological layout. Shattering the long-standing stereotype of a conventional home appliance maker, the company has built inimitable technological barriers in high-end display and smart home sectors, maintaining sustained technological iteration and undisputed global technological advantages in 2026.

    Empowered by its end-to-end industrial chain capability, Hisense occupies an apex position in the global display industry. The company’s self-developed RGB-Mini LED technology achieves comprehensive leadership in R&D, mass production and technological iteration. Equipped with the pioneering Linglong 4-Core True Colour Backlight system and independently developed Hi-View AI image processing chip, Hisense’s 2026 latest UX series features 110% BT.2020 ultra-wide colour gamut, 10,000 nits peak brightness and 134-bit high-precision colour control, reproducing over 120 million distinct colours. With these innovations, Hisense now has a one-year technological head start over its competitors, enabling the enterprise to set industrial benchmarks and secure rule-making authority within the global display ecosystem.

    Hisense remains an undisputed global pioneer in laser display technology, holding full independent intellectual property rights covering laser light sources, optical modules and terminal devices. Continuous investment in underlying optical research enables superior imaging performance with ultra-high contrast, eye-friendly visual comfort and wide colour gamut. The persistent technological edge reinforces Hisense’s dominant market share in the global laser TV industry, consolidating its status as an indispensable Chinese technological powerhouse in the high-end display landscape.

    Beyond display technologies, Hisense expands its technological frontier in premium smart home appliances. The self-developed heat pump washing machine adopts an innovative four-in-one integrated heat pump structure, delivering low-temperature fabric-friendly washing and drying while significantly cutting energy consumption. As an original global energy-saving home appliance solution, it embodies Hisense’s green manufacturing philosophy and diversified R&D strength beyond display technology.

    During the banquet, Jia Shaoqian engaged in in-depth dialogues with international tech elites regarding technological innovation, transnational industrial collaboration and eco-friendly intelligent manufacturing. The high-level face-to-face communication enhances mutual trust and cooperation potential between Chinese and U.S. technology enterprises. Adhering to a globalised development strategy, Hisense maintains steady overseas revenue and robust independent brand influence, with its technology-oriented products widely recognised across mainstream international markets.

    The prestigious seating arrangement serves as compelling proof of global recognition for China’s high-end manufacturing industry. As a leading Chinese tech enterprise, Hisense has obtained equal diplomatic-level dialogue status within the world’s top technological circle. Moving forward, Hisense will consistently invest in independent R&D, continuously iterate RGB-Mini LED, laser display and heat pump appliance technologies, and actively explore global industrial cooperation. Committed to technological empowerment, Hisense will further strengthen the global influence and industrial voice of Chinese high-end manufacturing.

    Visit hisense.sg to learn more about Hisense’s innovative products available now in Singapore.

    Disclaimer: This article is an objective industrial observation without exaggerated promotional statements. All technical parameters are sourced from Hisense’s official 2026 product releases.

    Hashtag: #Hisense

    The issuer is solely responsible for the content of this announcement.

    About Hisense

    Founded in 1969, Hisense is a global technology group operating in 160+ countries, with a strong portfolio across TVs, home appliances, air-conditioning and commercial solutions. Recognised as one of the Top 2 TV brands worldwide, Hisense continues to strengthen its global presence through innovation, quality manufacturing and major international partnerships, including its role as an Official Sponsor of the FIFA World Cup 2026™

  • 「澳門銀河」攜手Estuary by Vicky Cheng 演繹滋養與沁享並重法式料理美學

    「澳門銀河」攜手Estuary by Vicky Cheng 演繹滋養與沁享並重法式料理美學

    名廚鄭永麒匠心新章 於屢獲殊榮的奢華度假城絢麗啟航

    澳門特別行政區 – Media OutReach Newswire – 2026年5月19日 – 「澳門銀河」將於2026 年 5 月 29 日迎來全新餐飲篇章,與區內備受推崇的頂尖名廚鄭永麒攜手,於「澳門銀河」開設其首家法式餐廳Estuary by Vicky Cheng,進一步鞏固亞洲美饌目的地的定位。作為亞洲首屈一指的餐飲目的地,「澳門銀河」旗下四間餐廳合共榮膺五顆米芝蓮星的榮耀,持續以卓越人才與以客為本的款待哲學,為大灣區餐飲界注入溫度與靈魂。

    在「澳門銀河」,美食是一種風格。名廚鄭永麒首間法式餐廳 Estuary by Vicky Cheng 將於2026年5月29日啓幕,以國際級餐飲美學,迎接全球饕客。
    在「澳門銀河」,美食是一種風格。名廚鄭永麒首間法式餐廳 Estuary by Vicky Cheng 將於2026年5月29日啓幕,以國際級餐飲美學,迎接全球饕客。

    銀河娛樂集團首席營運總監(澳門)祁嘉杰先生表示:「Estuary by Vicky Cheng 是一個經年累月、專注醞釀而生的共同願景。我們攜手名廚鄭永麒,融合耐心、初心與共同信念,打造別具特色的法式餐飲體驗,體現了『澳門銀河』對『長遠卓越』的執著、對『細膩款待』的虔誠,以及對『全球視野.在地表達』的堅定信仰。」

    擅長融會法式技藝與地域食材的鄭永麒,是次透過 Estuary by Vicky Cheng,為「澳門銀河」卓越的餐飲版圖引入豐盛而極具個人風格的現代法式餐饍,在滋養、慷慨與優雅之中取得精妙平衡,不單滿足感官體驗,更藉此喚醒記憶中溫度與歸屬。

    鄭永麒憑藉精準技藝、創意視野及對跨文化的見解,近年屢度榮獲多個業界殊榮,進一步奠定其於當代高端餐飲領域的權威地位。2026 年,鄭永麒榮膺《黑珍珠餐廳指南》年度名廚大獎,持續備受國際矚目——其中菜餐廳WING 位列「亞洲 50 最佳餐廳 2026」第 2 位,而旗艦餐廳 VEA 亦於《香港澳門米芝蓮指南》中穩守一星榮耀,彰顯其一以貫之的卓越水準。

    自然精粹與巧奪天工的和諧共鳴

    Estuary by Vicky Cheng 的靈感喻意萬物流轉、滋養與重生。餐廳的法式佳餚以海鮮為主軸,淡水與鹹水食材兼容並蓄,和諧呈現兩者之間的無瑕融合。清澈湯品與細膩凍凝貫穿整個菜單,訴說滋養身心的主軸;配合發酵、柴火與精油萃取技法,築出純淨而深刻的風味結構,讓味蕾在滿足之餘,仍保留輕盈餘韻。

    啓始於餐廳主理人鄭永麒過去數十載的廚藝探索歷程,一道道一絲不苟的美饌,每個細節皆體現他匠心冶鍛、屢獲殊榮的功力。從手工訂製餐具的觸感、到採用區內珍稀在地食材的承諾——如精選來自香港元朗無刺蜂的酸甜蜂蜜入菜——細節盡顯對於工藝與自然的重視。

    鄭永麒分享道:「對我而言,Estuary是一個圓滿的節點。法式料理是我的根基,當十年前回到香港時,我開始逐步探索中法料理之間的交融與對話,並於五年前創立屬於我個人的中餐廳。而 Estuary正是這些歷程的交匯——關於根源、演變,以及對風味、文化與工藝的尊敬。」

    傳統為根,當代為形;匠心入味,廚藝成章

    Estuary by Vicky Cheng的用餐體驗,是一場節奏舒適、層次分明、充滿呼吸感的當代味覺儀式感受。靈感取自巴黎奢華大酒店的經典用餐風範,由香檳餐車緩緩推至桌前揭開序幕,隨後展開手工麵包與牛油的溫潤引子,細膩精確的桌邊烹調及燭光醒酒服務,並於甜品、咖啡與花草茶的優雅收尾中徐徐落幕。

    以食材為語言,風味自成章法——鄭永麒主廚的季節六道式菜單,透過魚子醬、乳酸發酵蕪菁與細膩法式元素,演繹鹹、酸與奶香旨味的優雅平衡。
    以食材為語言,風味自成章法——鄭永麒主廚的季節六道式菜單,透過魚子醬、乳酸發酵蕪菁與細膩法式元素,演繹鹹、酸與奶香旨味的優雅平衡。

    開幕推出的「時令六道式品味菜單」,延續鄭永麒一貫精準的烹飪風格,並以上乘食材為核心,鋪陳出意想不到的風味與層層遞進的味覺體驗。

    首道菜式「達倫庫斯魚子醬」,以Estuary獨家呈獻的Dauricus魚子醬配春蕪菁、甜豆與法國細葉芹,並於桌邊注入以青檸和奶油入饌的乳酸發酵蕪菁醬汁,明亮的酸度與鹽感帶來豐富鮮明的餘韻,拉開整趟嚐味之旅的帷幕。第二道菜式為「白蘆筍」,經低溫慢煮的時令白蘆筍鋪上北海道海膽,佐輕盈細膩的海膽雪糕,並以香檳與熟成24個月貝洛塔火腿醬汁收結,點綴香蔥油,賦予整體更為深邃的鹹香與鮮味。

    以龍蝦牛油低溫焗煮的藍龍蝦,肉質細膩而豐潤,佐以發酵菠蘿粒與三重櫛瓜口感鋪陳層次;最後以貝類清湯提味,帶出若隱若現的甜香與微酸韻律,令整體風味更顯明亮而立體。
    以龍蝦牛油低溫焗煮的藍龍蝦,肉質細膩而豐潤,佐以發酵菠蘿粒與三重櫛瓜口感鋪陳層次;最後以貝類清湯提味,帶出若隱若現的甜香與微酸韻律,令整體風味更顯明亮而立體。

    主菜方面,「藍龍蝦」以龍蝦牛油低溫細緻烹調,佐以發酵菠蘿細丁和三種口感各異的櫛瓜,最後輕注貝殼海鮮清湯,帶出甘甜與酸香風味。招牌菜式「花膠」,經炭火烤製的花膠外層裹以黑蒜光澤,外脆內嫩。席前伴以蟲草花、銀杏及砂薑風味白奶油醬汁,帶出煙燻氣息、富含膠質口感的多元層次。

    行政總廚謝宗衛憑藉其紮實的法式經典訓練,奠定了深厚的烹飪技術基礎,並於多間米芝蓮星級餐廳歷練出嚴謹細緻的料理風格。 多年隨鄭永麒於 VEA 並肩合作,進一步塑造其獨具辨識度的烹飪語彙——精準、優雅地展現出收放自如且層次分明的料理表達。
    行政總廚謝宗衛憑藉其紮實的法式經典訓練,奠定了深厚的烹飪技術基礎,並於多間米芝蓮星級餐廳歷練出嚴謹細緻的料理風格。 多年隨鄭永麒於 VEA 並肩合作,進一步塑造其獨具辨識度的烹飪語彙——精準、優雅地展現出收放自如且層次分明的料理表達。

    酒單涵蓋法國舊世界的珍稀年份與精選的新世界佳釀,包括 1928 年波爾多 Château Cos d’Estournel 及 1981 年 Krug Collection 等殿堂級藏釀;同時亦可應賓客要求提供無酒精飲品配搭,作為清新味蕾的體驗選項。

    承接自然華藝的空間設計

    由 J Candice室內建築事務所操刀的空間設計,呼應餐廳「潮汐轉化」與自然流動的主題,銳意為賓客呈現一場沉浸式的感官旅程。甫入其境,先映入眼簾的是藝術家 Martin Gallo 以滾磨創作的玻璃雕塑《Splash》,隨後穿越高達五點七米的雕刻白蠟木門、以及砂岩構築的通道,抵達迎賓區域——此處以石造壁爐映照出溫暖光影,象徵主廚對烹飪的熱忱火花,點燃並引領其豐碩不斷的廚藝職業歷程。

    由 J Candice 室內建築事務所操刀設計,Estuary by Vicky Cheng 緩緩展開一段雋永而沉浸的空間旅程;層層鋪陳之中,呼應自然潮汐的流轉與變化,將餐廳所詮釋的「交匯」主題,轉化為可感、可行走的感官體驗。
    由 J Candice 室內建築事務所操刀設計,Estuary by Vicky Cheng 緩緩展開一段雋永而沉浸的空間旅程;層層鋪陳之中,呼應自然潮汐的流轉與變化,將餐廳所詮釋的「交匯」主題,轉化為可感、可行走的感官體驗。

    餐廳空間進一步延展至一處溫潤典雅的廣闊主廳,設計靈感源自新藝術風格,以流動的線條、枝狀結構與如林冠般的天幕,勾勒出自然連結與流動交織的氛圍。穹頂天花營造出通透開闊的空間感,引導賓客視線聚焦於用餐空間的核心—— Molteni 1923 開放式廚房。整體設計的節奏與動線將視覺自然引領至此,彷如一座運轉精準的舞台,廚房團隊在其中以默契演繹料理藝術,猶如一場交織有序的交響樂。

    空間細節——如邊几與壓紋牆面——無不流露出餐廳對時間、技藝與演進的敬意。當中位於空間中心位置的邊几,表面保留清晰可見的年輪肌理,串聯過去與未來,向自然致敬——陽光、天空、土地與海洋,以及四季更迭的循環節奏,亦成為菜單靈感的源泉。私人包廂內,Lasvit 訂製燈飾宛如雕塑般點綴空間,金箔滾磨玻璃折射出如水波流動的光影,為整體感官體驗添上最後一抹靈動而有機的詩意,完整勾勒出沉浸式空間氛圍。

    位於 Estuary by Vicky Cheng 的私人包廂內,由捷克品牌 Lasvit 打造的滾紋玻璃吊燈,為空間添上最後一筆詩意收束。燈影如水波般流轉,折射出自然肌理與柔和光感,悄然完成一場關於光影、質感與感官的靜謐對話。
    位於 Estuary by Vicky Cheng 的私人包廂內,由捷克品牌 Lasvit 打造的滾紋玻璃吊燈,為空間添上最後一筆詩意收束。燈影如水波般流轉,折射出自然肌理與柔和光感,悄然完成一場關於光影、質感與感官的靜謐對話。

    Estuary by Vicky Cheng 是大灣區內最受矚目的餐飲新作之一,為「澳門銀河」奠定更高的餐飲緯度。作為度假城屢獲殊榮餐飲版圖中的全新力作,餐廳呈現當代法式料理的嶄新詮釋,糅合鄭永麒獨到的視角與藝術美學及多項業界標誌性榮譽,肯定其立足亞洲餐飲標竿的崇高地位。一切體驗,皆在最高水準的亞洲待客之道中細緻呈現。

    祁嘉杰先生補充道:「Estuary by Vicky Cheng 正是『澳門銀河』今日所代表的精神——以賓客為本、精緻而前瞻,在致敬澳門作為『聯合國教科文組織創意城市——美食之都』的同時,亦積極探索個人化高級餐飲在亞洲發展的更多可能。」

    欲更了解更多「澳門銀河」的資訊,歡迎瀏覽www.galaxymacau.com

    Hashtag: #GalaxyMacau #澳門銀河

    The issuer is solely responsible for the content of this announcement.

    有關「澳門銀河」綜合度假城

    「澳門銀河」世界級奢華綜合度假城打造全世界最多元化的娛樂及綜合旅遊度假熱點。整個項目的總投資額高達430億港元,佔地110萬平方米,為澳門帶來嶄新的休閒娛樂設施。 「澳門銀河」雲集9家世界知名豪華酒店,包括澳門悦榕庄、「銀河酒店」、澳門大倉酒店、澳門JW萬豪酒店、澳門麗思卡爾頓酒店、「百老匯酒店」、澳門銀河 萊佛士、澳門安達仕酒店,以及澳門銀河 嘉佩樂,共提供約5,000 間豪華客房、奢華套房及別墅。天浪淘園佔地75,000平方米,設有全球最長 575 米空中激流、能掀起1.5米人造海浪的空中衝浪池、全150米的白沙灘,以及澳門首個高達9米的刺激滑水天梯衝天激流。兩間五星級國際水療品牌─澳門悦榕SPA和澳門麗思卡爾頓水療中心讓賓客煥發心靈、徹底放鬆。

    「澳門銀河」其他設施包括超過120個餐飲選擇,涵蓋米芝蓮星級體驗及地道美食,以多元風味、獨特體驗及頂級食材打造「舌尖品亞洲 峰味聚銀河」的餐飲享受。銀河時尚匯集合國際頂尖奢華品牌,禮遇非凡的悅心購物體驗,讓賓客一步到位選購全球追捧的經典及限量版名品,探索充滿驚喜亮點的名牌獨家限時店,享受尊尚的禮遇回饋及優惠購物賞。成為VIP更可尊享貼心的禮賓購物服務,獲邀參與專屬的大牌聯乘活動,奢華禮遇提升至全新層次。矚目的時尚喜悦,在此一觸即發,令賓客變成潮流焦點所在。

    「銀河影院」配備最頂尖的影音科技、超豪華舒適的配套,以及細心周到的服務,將身臨其境的影院體驗提升到全新境界;以上海流金歲月為設計靈感的頂級娛樂聖殿【紅伶】,在華麗典雅的氛圍下呈獻醉人娛樂表演;悠然自足以傳統手法帶領賓客領略養生奧秘恢復活力。從「澳門銀河」穿過設有空調的行人天橋,90秒即可直達「澳門百老匯」,零距離體驗最地道的澳門特色及亞洲魅力。百老匯美食街搜羅了 35 種澳門及亞洲地道特色美食,從街頭小吃至老字號餐廳,每家店的招牌名菜都令人難忘。設有約2,500個座位的百老匯舞台匯聚世界級表演盛事。

    「澳門銀河」備有獨特完善的活動場地,專業的服務團隊為賓客籌辦不同類型的會議展覽活動。銀河國際會議中心(GICC)為澳門會展業開啓新篇章,同時拓展集團在澳門的度假城版圖。其會展空間總面積達40,000平方米,並設有16,000座位、全澳最大的室内綜藝館——銀河綜藝館。

    詳情請瀏覽:,

  • Estuary by Vicky Cheng Brings Indulgent and Nourishing French Gastronomy to Galaxy Macau

    Estuary by Vicky Cheng Brings Indulgent and Nourishing French Gastronomy to Galaxy Macau

    A Pristine New Expression of Chef Vicky Cheng’s Culinary Excellence Arrives at the Award-Winning Luxury Resort

    MACAU SAR – Media OutReach Newswire – 19 May 2026 – Galaxy Macau upholds its status as Asia’s leading dining destination with the debut of Estuary by Vicky Cheng on May 29, 2026, a collaborative masterpiece with the acclaimed chef and one of the region’s most highly regarded culinary talents today, and his first French restaurant. As one of the region’s most highly rated integrated resorts, home to five Michelin stars across four acclaimed establishments, Galaxy Macau continues to shape the gastronomy landscape of the Greater Bay Area with exceptional talent and guest-focused hospitality, infused with Asian warmth and a commitment to excellence.

    Galaxy Macau upholds its status as Asia’s leading dining destination with the debut of Estuary by Vicky Cheng, the acclaimed chef's first French restaurant, opening on May 29, 2026; welcoming discerning guests from around the globe with the highest international standards of hospitality and culinary excellence.
    Galaxy Macau upholds its status as Asia’s leading dining destination with the debut of Estuary by Vicky Cheng, the acclaimed chef’s first French restaurant, opening on May 29, 2026; welcoming discerning guests from around the globe with the highest international standards of hospitality and culinary excellence.

    “Estuary by Vicky Cheng is a vision that has been years in the making, working with intense focus together with Chef Vicky. This restaurant concept represents the pinnacle of Galaxy Macau’s global ambitions—an independent fine dining expression built on patience, purpose and a shared vision for enduring culinary excellence and impeccable guest service,” says Mr Kevin Kelley, Chief Operating Officer, Macau of Galaxy Entertainment Group.

    Chef Vicky Cheng is renowned for his mastery in bridging French technique and regional ingredients; this time, he brings a new dimension of refinement to the resort’s exceptional portfolio through modern French gastronomy that is both indulgent and deeply personal, guided by a philosophy that balances nourishment, generosity, and refined finesse.

    Widely recognised for his precision, creativity, and cross-cultural fluency, Chef Vicky’s recent accolades further underscore his authority in shaping contemporary fine dining. Recently honoured with the Black Pearl Restaurant Guide Master Chef Award 2026, Chef Vicky’s work continues to gain international acclaim, with Wing ranked No. 2 on Asia’s 50 Best Restaurants 2026 and his flagship VEA retaining its one Michelin star in the Michelin Guide Hong Kong & Macau.

    Nature’s Finest Ingredients Meet Masterful Craftsmanship

    Estuary by Vicky Cheng is a French restaurant that draws inspiration from the natural meeting point of river and sea—a fecund place of transformation and renewal. With a seafood-forward menu featuring ingredients of both fresh and saltwater, Estuary reflects the harmony and transformation in these converging worlds.

    At Estuary, savoury consommés and delicate jellies act as nourishing through-lines, while fermentation, wood-fired cooking, and essential oils extraction build depth and clarity. The gastronomic experience is precise and pristine, leaving guests feeling sated.

    Accentuating Chef Vicky’s decades of culinary exploration and experimentation, Estuary encapsulates the chef’s highly awarded craftsmanship, with each dish meticulously prepared. There’s a respect for dedicated craft, both on and off the plate; the creative process considers every detail, from artisanal tableware and cutlery to a commitment to sourcing rare local ingredients, such as sweet and sour honey from Yuen Long’s stingless bees.

    “Estuary by Vicky Cheng is a full-circle moment for me,” says Vicky Cheng. “I was trained in classic French cooking, which shaped my culinary foundations. When I returned to Hong Kong ten years ago, I began exploring the intersection of Chinese and French cuisine; and five years ago, opened my own Chinese restaurant. Estuary brings these experiences together. It is a reflection of my roots, my evolution, and a reverential understanding of flavour, culture, and craft.”

    A Contemporary Expression of Tradition and Culinary Mastery

    The experience at Estuary by Vicky Cheng unfolds as a culinary journey with a sense of ceremony, drawing inspiration from Parisian grands hôtels. From artisanal bread and butter service to refined guéridon tableside presentations, the experience is anchored in a choreography of classic rituals. Guests are invited to begin with an aperitif from a traditional champagne trolley, followed by dessert, coffee, and tisanes presented in sequence, alongside candlelit wine decanting service. This is complemented by a nuanced wine list that celebrates Old World vintages from France as well as select New World wines. The oldest heritage vintages include the 1928 Château Cos d’Estournel from Bordeaux and the 1981 Krug Collection. A non-alcoholic pairing is also available for a palate cleansing option upon request.

    Chef Vicky Cheng's anchors the debut seasonal six-course tasting menu: intentional, precise and quality ingredients-driven. Dauricus caviar, sweet peas, and turnip are served with a tableside pour of lacto-fermented kabu, brightened with lime, coconut milk, and cream, creating a rich play of salinity, acidity, and creamy umami.
    Chef Vicky Cheng’s anchors the debut seasonal six-course tasting menu: intentional, precise and quality ingredients-driven. Dauricus caviar, sweet peas, and turnip are served with a tableside pour of lacto-fermented kabu, brightened with lime, coconut milk, and cream, creating a rich play of salinity, acidity, and creamy umami.

    The debut seasonal six-course tasting menu is anchored by Chef Vicky’s signature style: intentional, precise, and quality ingredient-driven, while revealing unexpected layers of flavour and texture.

    The luxurious first course of Dauricus caviar (only available at Cheng’s restaurant in Macau), spring turnip, sweet peas and chervil is served with a tableside pour of lacto-fermented turnip sauce transformed into liquid, brightened with lime, and cream; creating a rich play of salinity and acidity. White asparagus follows, slow-poached and crowned with Hokkaido sea urchin and delicate sea urchin ice cream, finished with a champagne-and-24-month Bellota ham sauce and chive oil for savoury depth and oceanic umami. Blue lobster poached in lobster butter arrives with a fermented pineapple brunoise and a trio of zucchini textures, lifted by a shellfish consommé giving sweet, tangy notes. A signature dish on the menu is the charcoal-grilled fish maw glazed with black garlic, at once crispy yet tender, served tableside on a bed of cordyceps mushrooms and gingko nuts, with a sand-ginger-infused beurre blanc sauce; giving it smoky, collagen-rich intensity.

    Blue lobster poached in lobster butter arrives with a fermented pineapple brunoise and a trio of zucchini textures; lifted by a shellfish consommé giving sweet, tangy notes.
    Blue lobster poached in lobster butter arrives with a fermented pineapple brunoise and a trio of zucchini textures; lifted by a shellfish consommé giving sweet, tangy notes.

    Every dish is perfectly balanced and layered; subtle notes of fermented ingredients run through the menu, along with savoury, rich broths and the nuanced flavours of char-grilled and wood-fired cooking.

    Executive Chef Harvey Hsieh brings a refined culinary perspective shaped by classical French training, a strong technical foundation and disciplined approach in Michelin-starred kitchens. Years spent alongside his mentor Vicky Cheng at VEA further defined a style marked by precision, elegance, and restraint.
    Executive Chef Harvey Hsieh brings a refined culinary perspective shaped by classical French training, a strong technical foundation and disciplined approach in Michelin-starred kitchens. Years spent alongside his mentor Vicky Cheng at VEA further defined a style marked by precision, elegance, and restraint.

    Ambience Rooted in Nature and Artistry

    Designed by J Candice Interior Architects, a long-time interior collaborator of Chef Vicky Cheng, Estuary by Vicky Cheng’s interiors unfold as an immersive spatial journey that mirrors the restaurant’s themes of tidal transformation and the fluidity of nature. Greeted by artist Martin Gallo’s suspended Splash sculpture of tumbled glass, guests enter through a towering 5.7-metre-high carved ash-wood door, progressing through a sandstone portal, before arriving at the reception desk where a stone fireplace casts a warm welcome—a symbolic representation of Chef Vicky’s spark of passion leading to a prolific career in the kitchen.

    Designed by J Candice Interior Architects, Estuary by Vicky Cheng unfolds as a timeless, immersive spatial journey that mirrors the restaurant’s themes of tidal transformation in nature.
    Designed by J Candice Interior Architects, Estuary by Vicky Cheng unfolds as a timeless, immersive spatial journey that mirrors the restaurant’s themes of tidal transformation in nature.

    The space opens onto a warm, Art Nouveau-inspired dining room defined by organic lines, branch-like forms, and a canopy that evokes a sense of connection and flow. Opening into an airy ambience created by a spectacular domed ceiling, the space draws guests’ attention to the polished Molteni 1923 open kitchen that anchors the main dining room. Its design cadence and flow visually lead to the centre stage of the dining room, where the kitchen is reminiscent of a perfectly timed orchestra, and where the kitchen team set about their craft in synchronised rhythm.

    Interior details such as an occasional table and embossed wall panels reinforce the restaurant’s respect for time, technique, and evolution. With a visible tree ringed patina, the centre-piece occasional table bridges past and future, paying homage to nature – the sun, the sky, the soil and the ocean – as well as to the rotation of the seasons; which in turn inspires the menu. Sculptural lighting by Lasvit adds a final organic touch to the private room, casting waterlike reflections from the gilded tumbled glass, completing the sensory landscape.

    A tumbled-glass chandelier by Lasvit adds a final poetic touch to the private room at Estuary by Vicky Cheng, casting waterlike reflections and natural textures that complete the sensory landscape.
    A tumbled-glass chandelier by Lasvit adds a final poetic touch to the private room at Estuary by Vicky Cheng, casting waterlike reflections and natural textures that complete the sensory landscape.

    Estuary by Vicky Cheng is one of the most anticipated openings in the Greater Bay Area, further strengthening Galaxy Macau’s recognised position as the region’s preeminent destination for outstanding dining. As the latest addition to the resort’s award-winning portfolio, the restaurant offers a fresh expression of modern French cuisine, shaped by Chef Vicky Cheng’s distinctive perspective and artistry; backed by industry-defining accolades that affirm his standing at the forefront of Asia’s culinary landscape. All served with the highest standards of Asian hospitality.

    Adds Kelley: “Estuary by Vicky Cheng embodies the best of what Galaxy Resort stands for today: our relentless dedication to refined, guest‑focused dining that looks forward, honouring Macau’s UNESCO culinary heritage as a Creative City of Gastronomy, while shaping what personalised fine dining in Asia can truly become.”

    For more information about Galaxy Macau, please visit www.galaxymacau.com.

    Hashtag: #GalaxyMacau

    The issuer is solely responsible for the content of this announcement.

    ABOUT GALAXY MACAU INTEGRATED RESORT

    Galaxy Macau, The World-class Luxury Integrated Resort, delivers the “Most Spectacular Entertainment and Leisure Destination in the World”. Developed at an investment of HK$43 billion, the property covers 1.1 million square meters of unique entertainment and leisure attractions that are unlike anything else in Macau. Nine award-winning world-class luxury hotels provide close to 5,000 rooms, suites and villas. They include Banyan Tree Macau, Galaxy Hotel, Hotel Okura Macau, JW Marriott Hotel Macau, The Ritz-Carlton, Macau, Broadway Hotel, Raffles at Galaxy Macau, Andaz Macau, and Capella at Galaxy Macau. Unique to Galaxy Macau, the 75,000-square-meter Grand Resort Deck features the world’s longest Skytop Adventure Rapids at 575-meters, the largest Skytop Wave Pool with waves up to 1.5-meters high and 150-meters pristine white sand beach. Two five-star spas from Banyan Tree Spa Macau and The Ritz- Carlton Spa, Macau help guests relax and rejuvenate.

    As the dining destination in Asia, Galaxy Macau offers a wide variety of gastronomic delights, exquisite experiences and ingredients of the finest quality with over 120 dining options from Michelin dining to authentic delicacies.

    Embark on a delightful and rewarding journey at Galaxy Promenade, the one-stop shopping destination boasting some of the world’s most iconic luxury brands. Be the first to get the latest limited-edition items; explore fascinating pop-ups by coveted labels and revel in fabulous shopping rewards and privileges. Our VIPs are entitled to a highly-curated experience with dedicated personal shoppers at guests’ service, and be invited to exclusive luxury brand events. A different calibre of privileges and rewards also awaits. Discover the joys of fashion and stand at the forefront of style and sophistication—Galaxy Promenade has everything guests need to stay ahead of the style game.

    Galaxy Cinemas takes immersive movie experiences to the next level with the latest audio-visual technology, ultra-luxurious facilities and bespoke services; CHINA ROUGE, one-of-a-kind cabaret lounge that evokes the glamor of Shanghai’s golden era with stylish entertainment and customisable surrounds; and Foot Hub, which presents the traditional art of reflexology for authentic relaxation and revitalisation. For Authentic Macau Flavours and Vibrant Asian Experiences, Broadway Macau – just a 90-second walk via a bridge from Galaxy Macau, has over 35 Authentic Macau & Asian Flavours at Broadway Food Street. The 2,500-seat Broadway Theatre plays host to world-class entertainers and a diverse array of cultural events.

    Meeting, incentive and banquet groups are also catered to with a portfolio of unique venues in Galaxy Macau and an expert service team. Galaxy International Convention Center (GICC) is the latest addition to the Group’s ever-expanding integrated resort precinct and will usher in a new era for the MICE industry in Macau. GICC is a world-class event venue featuring 40,000-square-meters of total flexible MICE, and the 16,000-seat Galaxy Arena – the largest indoor arena in Macau.

    For more details, please visit , and

  • 「澳門銀河」携手Estuary by Vicky Cheng 演绎滋养与沁享并重法式料理美学

    「澳門銀河」携手Estuary by Vicky Cheng 演绎滋养与沁享并重法式料理美学

    名厨郑永麒匠心新章 于屡获殊荣的奢华度假城绚丽启航

    澳门特别行政区 – Media OutReach Newswire – 2026年5月19日 -「澳門銀河」将于2026 年 5 月 29 日迎来全新餐饮篇章,协同大湾区内备受推崇的顶尖名厨郑永麒,于「澳門銀河」开设其首家法式餐厅Estuary by Vicky Cheng步巩固其亚洲美馔目的地的定位。作为亚洲首屈一指的餐饮目的地,「澳門銀河」旗下四间餐厅总计荣膺五颗米其林星荣耀,持续以卓越人才与以客为本的款待哲学,为大湾区餐饮界注入温度与灵魂。

    在「澳門銀河」,美食是一种风格。名厨郑永麒首间法式餐厅 Estuary by Vicky Cheng 将于2026年5月29日启幕,以国际级餐饮美学,迎接全球饕客。
    在「澳門銀河」,美食是一种风格。名厨郑永麒首间法式餐厅 Estuary by Vicky Cheng 将于2026年5月29日启幕,以国际级餐饮美学,迎接全球饕客。

    银河娱乐集团首席营运总监(澳门)祁嘉杰先生表示:”Estuary by Vicky Cheng 是一个经年累月、专注酝酿而生的共同愿景。我们携手名厨郑永麒,融合耐心、初心与共同信念,打造别具特色的法式餐饮体验,体现了『澳門銀河』对’长远卓越’的执着、对’细腻款待’的虔诚,以及对’全球视野.在地表达’的坚定信仰。”

    擅长融会法式技艺与地域食材的郑永麒,这次透过 Estuary by Vicky Cheng,为「澳門銀河」卓越的餐饮版图引入丰盛而极具个人风格的现代法式美食,在滋养、丰盛与优雅之间取得精妙平衡,不单满足感官体验,更藉此唤醒记忆中温度与归属。

    郑永麒凭借精准技艺、创意视野及对跨文化的见解,近年屡度荣获多项餐饮界殊荣,进一步奠定其于当代高端餐饮领域的权威地位。2026 年,郑永麒荣膺《黑珍珠餐厅指南》年度主厨大奖,持续备受国际瞩目——其中菜餐厅WING 位列”亚洲 50 最佳餐厅 2026″第 2 位,而旗舰餐厅 VEA 亦于《香港澳门米其林指南》中稳守一星荣誉,彰显其一以贯之的卓越水平。

    自然精粹与巧夺天工的和谐共鸣

    Estuary by Vicky Cheng 的灵感喻意万物流转、滋养与重生。餐厅的法式佳肴以海鲜为主轴,淡水与咸水水域的食材兼容并蓄,和谐呈现两者之间的无瑕融合。鲜美的高汤与优雅的啫冻则贯穿了整张菜单,诉说滋养身心的主轴;配合发酵、柴火与食材精华油露的萃取技法,筑出纯净而深刻的风味结构,让味蕾在满足之余,仍保留轻盈余韵。

    启始于餐厅主理人郑永麒过去数十载的厨艺探索历程,一道道一丝不苟的美馔,每个细节皆体现他匠心冶锻、屡获殊荣的功力。从手工订制餐具的触感、到采用区域内珍稀在地食材的承诺——如精选来自香港元朗无刺蜂的酸甜蜂蜜入菜——细节尽显对于工艺与自然的重视。

    郑永麒分享道:”对我而言,Estuary是一个圆满的节点。法式料理是我的根基,当十年前回到香港时,我开始逐步探索中法料理之间的交融与对话,并于五年前创立属于我个人的中餐厅。而 Estuary正是这些历程的交汇——关于根源、演变,以及对风味、文化与工艺的尊敬。”

    传统为根,当代为形;匠心入味,厨艺成章

    Estuary by Vicky Cheng的用餐体验,是一场节奏舒适、层次分明、充满呼吸感的当代味觉仪式。灵感取自巴黎奢华大酒店的经典用餐风范,由香槟餐车缓缓推至桌前揭开序幕,随后展开手工面包与牛油的温润引子,细腻精确的桌边烹调及烛光醒酒服务,并于甜品、咖啡与花草茶的优雅收尾中徐徐落幕。

    以食材为语言,风味自成章法——郑永麒主厨的季节六道式菜单,透过鱼子酱、乳酸发酵芜菁与细腻法式元素,演绎咸、酸与奶香旨味的优雅平衡。
    以食材为语言,风味自成章法——郑永麒主厨的季节六道式菜单,透过鱼子酱、乳酸发酵芜菁与细腻法式元素,演绎咸、酸与奶香旨味的优雅平衡。

    开幕推出的”时令六道式品味菜单”,延续郑永麒一贯精准的烹饪风格,并以上乘食材为核心,铺陈出意想不到的风味与层层递进的丰富味觉体验。

    首道菜式”达伦库斯鱼子酱”,以Estuary独家呈献的Dauricus鱼子酱配春芜菁、甜豆与法国细叶芹,并于桌边注入以青柠和奶油制作的乳酸发酵芜菁酱汁,明亮的酸度与盐感带来丰富鲜明的余韵,拉开整趟赏味之旅的帷幕。第二道菜式为”白芦笋”,经低温慢煮的时令白芦笋铺上北海道海胆,佐轻盈细腻的海胆雪糕,并以香槟与熟成24个月贝洛塔火腿酱汁收结,点缀香葱油,赋予整体更为深邃的咸香与鲜度。

    以龙虾牛油低温焗煮的蓝龙虾,肉质细腻而丰润,佐以发酵菠萝粒与三重西葫芦口感铺陈层次;最后以贝类清汤提味,带出若隐若现的甜香与微酸韵律,令整体风味更显明亮而立体。
    以龙虾牛油低温焗煮的蓝龙虾,肉质细腻而丰润,佐以发酵菠萝粒与三重西葫芦口感铺陈层次;最后以贝类清汤提味,带出若隐若现的甜香与微酸韵律,令整体风味更显明亮而立体。

    主菜方面,”蓝龙虾”以龙虾牛油低温细致烹饪,佐以发酵菠萝细丁和三种口感各异的西葫芦,最后轻注贝壳海鲜清汤,带出甘甜与酸香风味。招牌菜”花胶”,经炭火烤制的花胶外层裹以黑蒜的光泽,外脆内嫩。席前伴以虫草花、银杏及沙姜风味白奶油酱汁,带出烟熏气息交织着富含胶质口感的多维层次。

    行政总厨谢宗卫凭借其扎实的法式经典训练,奠定了深厚的烹饪技术基础,并于多间米其林星级餐厅历练出严谨细致的料理风格。 多年随郑永麒于 VEA 并肩合作,进一步塑造其独具辨识度的烹饪语汇——精准、优雅地展现出收放自如且层次分明的料理表达。
    行政总厨谢宗卫凭借其扎实的法式经典训练,奠定了深厚的烹饪技术基础,并于多间米其林星级餐厅历练出严谨细致的料理风格。 多年随郑永麒于 VEA 并肩合作,进一步塑造其独具辨识度的烹饪语汇——精准、优雅地展现出收放自如且层次分明的料理表达。

    酒单涵盖法国旧世界的珍稀年份与精选的新世界佳酿,包括 1928 年波尔多 Château Cos d’Estournel 及 1981 年 Krug Collection 等殿堂级藏酿。同时亦可应宾客需求提供无酒精饮品搭配,作为清新味蕾的体验选项。

    承接自然华艺的空间设计

    由 J Candice室内建筑事务所操刀的空间设计,呼应餐厅”潮汐转化”与自然流动的主题,锐意为宾客呈现一场沉浸式的感官旅程。甫入其境,先映入眼帘的是艺术家 Martin Gallo 以滚磨创作的玻璃雕塑《Splash》,随后穿越高达5.7米的雕刻白蜡木门、以及砂岩构筑的通道,抵达迎宾区域——此处以石造壁炉映照出温暖光影,象征主厨对烹饪的热忱火花,点燃并引领其丰硕饱满的从厨职业历程。

    由 J Candice 室内建筑事务所操刀设计,Estuary by Vicky Cheng 缓缓展开一段隽永而沉浸的空间旅程;层层铺陈之中,呼应自然潮汐的流转与变化,将餐厅所诠释的“交汇”主题,转化为可感、可行走的感官体验。
    由 J Candice 室内建筑事务所操刀设计,Estuary by Vicky Cheng 缓缓展开一段隽永而沉浸的空间旅程;层层铺陈之中,呼应自然潮汐的流转与变化,将餐厅所诠释的“交汇”主题,转化为可感、可行走的感官体验。

    餐厅空间进一步延展至一处温润典雅的开阔主厅,设计灵感源自新艺术风格,以流动的线条、枝状结构与如林冠般的天幕,勾勒出自然连结与流动交织的氛围。穹顶天花营造出通透开阔的空间感,引导宾客视线聚焦于用餐空间的核心—— Molteni 1923 开放式厨房。整体设计的节奏与动线将视觉自然引领至此,彷如一座运转精准的舞台,厨房团队在其中以默契演绎料理艺术,犹如一场交织有序的交响乐。

    空间细节——如边几与压纹墙面——无不流露出餐厅对时间、技艺与演变的敬意。其中位于空间中心位置的边几,表面保留清晰可见的年轮肌理,串联起过去与未来,向自然致敬——阳光、天空、土地与海洋,以及四季更迭的循环节奏,亦成为出品灵感的源泉。私人包厢内,Lasvit 订制灯饰宛如雕塑般点缀空间,金箔滚磨玻璃折射出如水波流动的光影,为整体感官体验添上最后一抹灵动而有机的诗意,完整勾勒出沉浸式空间氛围。

    位于 Estuary by Vicky Cheng 的私人包厢内,由捷克品牌 Lasvit 打造的滚纹玻璃吊灯,为空间添上又一笔诗意收束。灯影如水波般流转,折射出自然肌理与柔和光感,悄然完成一场关于光影、质感与感官的静谧对话。
    位于 Estuary by Vicky Cheng 的私人包厢内,由捷克品牌 Lasvit 打造的滚纹玻璃吊灯,为空间添上又一笔诗意收束。灯影如水波般流转,折射出自然肌理与柔和光感,悄然完成一场关于光影、质感与感官的静谧对话。

    Estuary by Vicky Cheng 是大湾区内最受瞩目的餐饮新作之一,为「澳門銀河」奠定更高的餐饮纬度。作为度假城屡获殊荣餐饮版图中的全新力作,餐厅呈现当代法式料理的崭新诠释,糅合郑永麒独到的视角与艺术美学及多项业界标志性荣誉,肯定其立足亚洲餐饮标竿的崇高地位。一切体验,皆在最高水平的亚洲待客之道中细致呈现。

    祁嘉杰先生补充道:”Estuary by Vicky Cheng 正是『澳門銀河』今日所代表的精神——以宾客为本、精致而前瞻,在致敬澳门作为联合国教科文组织”创意城市——美食之都”的同时,亦积极探索个人化高级餐饮在亚洲发展的更多可能。”

    欲更了解更多「澳門銀河」的信息,欢迎浏览www.galaxyresorts.com.cn

    Hashtag: #GalaxyMacau #澳門銀河

    The issuer is solely responsible for the content of this announcement.

    有关「澳門銀河」综合度假城

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  • 科大第二届AI电影节圆满落幕 汇聚全球优秀作品展现创新力量

    探讨AI电影创作 启发新一代创意人才

    香港 – Media OutReach Newswire – 2026年5月19日 – 香港科技大学(科大)日前于逸夫演艺中心圆满举办第二届AI电影节。作为科大创校35周年的重点志庆活动之一,为期两天的电影节汇聚业界领袖、电影制作人、学者、学生及公众,共同探讨AI如何重塑电影创作与制作模式。

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    电影节邀得多位嘉宾莅临主礼,包括科大校董会副主席施熙德女士、国家广播电视总局中国广播电视香港记者站站长王喜凯先生、科大跨学科学院院长屈华民教授、艺术与机器创造力学部署理主任傅红波教授,以及多位学界与业界代表。著名本地电影导演唐季礼先生亦应邀担任主讲嘉宾,分享AI如何透过降低容错成本及加快实现视觉突破,为中国电影发展开拓新机遇,同时强调动人的故事、细腻的情感与深厚的文化底蕴,仍是电影创作不可取代的核心。

    除放映入围作品外,电影节亦举办三场专题讨论,深入剖析AI电影发展的关键议题。其中,题为「未来・AI电影・制作技术」的研讨环节,邀请科大艺术与机器创造力学部助理教授饶安逸教授、腾讯在线视频AI影视表达工作室总经理李大任先生、中国AI艺术家陈刘芳女士,以及多位业界代表参与,共同探讨创意内容控制、视觉一致性及制作效率等方面的机遇与挑战,并进一步分析AI如何加速内容创作及赋能小型创作团队。

    另一场题为「重塑光影:AI时代下的电影美学与创作主体」的研讨环节,由本地电影导演兼科大校友贾胜枫先生、本地电影监制杜致朗女士、韩国导演许哲教授以及其他学术代表参与,探讨AI如何重塑影像美学与创作主体性,强调在保留原创性的同时融合技术元素、表演与叙事的重要性。至于题为「文化记忆与数码遗产」的环节,则由科大艺术与机器创造力学部讲师郑秀慧博士、新加坡艺术家兼作家何锐安先生,以及其他专家分享AI如何重建与诠释历史素材,并关注在保存文化与再现过程中确保真实性的道德考量。

    除了放映与研讨环节,今届电影节亦设有艺术展览,以沉浸式装置呈现AI电影相关创作素材及科大艺术与机器创造力学部学生的精选作品,包括互动机械臂及捕捉人脸装置等创作。为扩大影响力,电影节亦透过与腾讯、Kling、TapNow及MiniMax等领先AI企业合作,进一步加强与业界的联系,推动学术创新与实际AI电影制作接轨。

    为培育未来创意人才,科大AI电影节亦增添教育元素,于今年3月举办一系列专为中学生而设的AI创作工作坊,以及一场长达36小时的AI电影制作黑客松,让学生加深对AI生成内容的认识,并赋能新一代的创新潜力。优胜学生作品更于电影节开幕放映环节中播出,体现电影节作为汇聚教育、产业与创作实践的重要平台。

    科大跨学科学院院长屈华民教授表示:「AI电影节不仅是一场数字创意的盛会,更实现了前沿科研与艺术实践的深度融合,促进艺术与科技在学术界及业界的协同发展。这项年度盛事展现了科大跨学科学院致力透过跨学科协作推动创新及贡献社会的决心,并在瞬息万变的世界中,为社会培育多元人才。」

    科大艺术与机器创造力学部署理主任傅红波教授感谢其学部学生团队积极参与电影节的筹划工作。他表示:「在科大,我们视AI电影为汇聚创作者、研究人员、业界伙伴及学生的重要媒介,共同探索叙事的全新可能。今届电影节不仅规模扩大,更展示超越以往的抱负,我们期望建立一个可持续发展、更具活力的AI创意生态圈。」

    科大于2024年成立香港首个艺术与机器创造力学部,并通过举办AI电影节,彰显大学推动AI融入创意产业发展及应用的努力,以及持续促进艺术科技教育与研究的决心。

    *请按此浏览完整得奖名单并观看得奖作品。

    下载图片:https://hkust.edu.hk/zh-hans/news/hkust-2nd-ai-film-festival-concludes-successfully-showcasing-global-excellence-ai-creativity

    Hashtag: #HKUST

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  • 科大第二屆AI電影節圓滿落幕 匯聚全球優秀作品展現創新力量

    探討AI電影創作 啟發新一代創意人才

    香港 – Media OutReach Newswire – 2026年5月19日 – 香港科技大學(科大)日前於逸夫演藝中心圓滿舉辦第二屆AI電影節。作為科大創校35周年的重點誌慶活動之一,為期兩天的電影節匯聚業界領袖、電影製作人、學者、學生及公眾,共同探討AI如何重塑電影創作與製作模式。

    今屆電影節反應熱烈,共收到來自近80個國家及地區逾1,300份參賽作品,數量較去年多近一倍。經由國際評審團嚴格評選,多部優秀作品脫穎而出,奪得各個主要獎項*。其中,最佳影片獎由墨西哥電影製作人Gabriela Cardona WALTHER奪得,其作品《The Afterlife of Aphrodite》融合個人回憶與神話元素,深刻探討身份、女性特質與轉變等主題。最佳AI首作獎則由西班牙AI創作者Javier Gracia ALCAINE憑《NeoNature》獲得;該片以電影級超寫實風格呈現野生動物紀錄片影像,並結合沉浸式敘事手法,展現大自然之美。

    除海外作品外,本地創作亦在本屆電影節中大放異彩。香港AI電影創作者KA TAM憑作品《Project J》榮膺最佳技術創新獎,他以科幻動作短片展示開創性的AI應用,建構出一個未來遭科技掌控的反烏托邦故事。最佳人機協作獎則由科大藝術與機器創造力學部研究生歐陽萌科奪得。她的作品《燼舟渡》以未來世界為背景,講述一名少女獲分配AI監護人的故事,細緻刻畫人類悲傷、記憶與情感的交錯。

    電影節邀得多位嘉賓蒞臨主禮,包括科大校董會副主席施熙德女士、國家廣播電視總局中國廣播電視香港記者站站長王喜凱先生、科大跨學科學院院長屈華民教授、藝術與機器創造力學部署理主任傅紅波教授,以及多位學界與業界代表。著名本地電影導演唐季禮先生亦應邀擔任主講嘉賓,分享AI如何透過降低容錯成本及加快實現視覺突破,為中國電影發展開拓新機遇,同時強調動人的故事、細膩的情感與深厚的文化底蘊,仍是電影創作不可取代的核心。

    除放映入圍作品外,電影節亦舉辦三場專題討論,深入剖析AI電影發展的關鍵議題。其中,題為「未來・AI電影・製作技術」的研討環節,邀請科大藝術與機器創造力學部助理教授饒安逸教授、騰訊在線視頻 AI 影視表達工作室總經理李大任先生、中國AI藝術家陳劉芳女士,以及多位業界代表參與,共同探討創意內容控制、視覺一致性及製作效率等方面的機遇與挑戰,並進一步分析AI如何加速內容創作及賦能小型創作團隊。

    另一場題為「重塑光影:AI時代下的電影美學與創作主體」的研討環節,由本地電影導演兼科大校友賈勝楓先生、本地電影監製杜緻朗女士、韓國導演許哲教授以及其他學術代表參與,探討AI如何重塑影像美學與創作主體性,強調在保留原創性的同時,融合技術元素、表演與敘事的重要性。至於題為「文化記憶與數碼遺產」的環節,則由科大藝術與機器創造力學部講師鄭秀慧博士、新加坡藝術家兼作家何銳安先生,以及其他專家分享AI如何重建與詮釋歷史素材,並關注在保存文化與再現過程中確保真實性的道德考量。

    除了放映與研討環節,今屆電影節亦設有藝術展覽,以沉浸式裝置呈現AI電影相關創作素材及科大藝術與機器創造力學部學生的精選作品,包括互動機械臂及捕捉人臉裝置等創作。為擴大影響力,電影節亦透過與騰訊、Kling、TapNow及MiniMax等領先AI企業合作,進一步加強與業界的聯繫,推動學術創新與實際AI電影製作接軌。

    為培育未來創意人才,科大AI電影節亦增添教育元素,於今年三月舉辦一系列專為中學生而設的AI創作工作坊,以及一場長達36小時AI電影製作黑客松,讓學生加深對AI生成內容的認識,並賦能新一代的創新潛力。優勝學生作品更於電影節開幕放映環節中播出,體現電影節作為匯聚教育、產業與創作實踐的重要平台。

    科大跨學科學院院長屈華民教授表示:「AI電影節不僅是一場數位創意的盛會,更實現了前沿科研與藝術實踐的深度融合,促進藝術與科技在學術界及業界的協同發展。這項年度盛事展現了科大跨學科學院致力透過跨學科協作推動創新及貢獻社會的決心,並在瞬息萬變的世界中,為社會培育多元人才。」

    科大藝術與機器創造力學部署理主任傅紅波教授感謝其學部學生團隊積極參與電影節的籌劃工作,他表示:「在科大,我們視AI電影為匯聚創作者、研究人員、業界夥伴及學生的重要媒介,共同探索敍事的全新可能。今屆電影節不僅規模擴大,更展示超越以往的抱負,我們期望能建立一個可持續發展、更具活力的AI創意生態圈。」

    科大於2024年成立香港首個藝術與機器創造學部,並通過舉辦AI電影節,彰顯大學推動AI融入創意產業發展及應用的努力,以及持續促進藝術科技教育與研究的決心。

    *請按此瀏覽完整得獎名單並觀看得獎作品。

    下載圖片:https://hkust.edu.hk/zh-hant/news/hkust-2nd-ai-film-festival-concludes-successfully-showcasing-global-excellence-ai-creativityHashtag: #HKUST

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  • HKUST 2nd AI Film Festival Concludes Successfully Showcasing Global Excellence in AI Creativity

    Visionary Dialogues on AI Filmmaking Inspire Next Generation of Creative Talent

    HONG KONG SAR – Media OutReach Newswire – 19 May 2026 – The Hong Kong University of Science and Technology (HKUST) has successfully concluded its 2nd AI Film Festival (AIFF), held recently at the Shaw Auditorium. As one of the key events celebrating HKUST’s 35th anniversary, the two-day Festival brought together industry leaders, filmmakers, scholars, students, and members of the public to explore how artificial intelligence (AI) is redefining cinematic creativity and production.

    This year’s AIFF saw an overwhelming global response, with over 1,300 submissions—almost double that of last year—from nearly 80 countries and regions. Following a rigorous evaluation by an international jury, a number of outstanding works were recognized across key award categories*. The Best Film Award was presented to The Afterlife of Aphrodite by Gabriela Cardona WALTHER, a Mexican filmmaker whose work seamlessly blends personal memory and mythology to explore themes of identity, femininity, and transformation. The Best Debut AI Film Award went to NeoNature by Javier Gracia ALCAINE, a Spanish AI content creator who captures the beauty of natural world through cinematic, ultra-realistic wildlife documentaries with immersive storytelling.

    In addition to these remarkable overseas works, local talent also shone at this year’s Festival. Hong Kong-based AI filmmaker KA TAM earned the Best Technical Innovation Award for Project J, a sci-fi action piece that demonstrates the pioneering use of AI in crafting a dystopian narrative set in a technologically controlled future. The Best Human AI Collaboration Award was presented to Ash Boat by OUYANG Mengke, a postgraduate student from HKUST’s Division of Arts and Machine Creativity (AMC). Her evocative short film explores the complexities of human grief, memory, and emotion through the story of a teenage girl assigned an AI guardian in a near-future society.

    The Festival was graced by distinguished guests, including Ms. Edith SHIH, Vice Chairperson of the HKUST Council; Mr. Kevin WANG Xikai, Station Chief of the Hong Kong Reporter Station, National Radio and Television Administration; Prof. QU Huamin, Dean of the Academy of Interdisciplinary Studies (AIS) at HKUST; Prof. FU Hongbo, Acting head of AMC at HKUST, as well as other academic and industry representatives. Acclaimed local film director Mr. Stanley TONG also delivered a keynote speech, sharing insights into how AI offers new opportunities for Chinese film development by reducing trial‑and‑error costs and accelerating visual innovation, while underscoring that storytelling, human emotion, and cultural depth remain the irreplaceable core of filmmaking.

    Alongside the screenings of shortlisted films, the Festival featured three thematic panels examining key issues in AI filmmaking. The panel titled “Future · AI Film · Production Technology” featuring Prof. RAO Anyi, Assistant Professor of AMC; Mr. Feynman LI, General Manager of the AI Content Creative Department at Tencent Online Video; Ms. Eddy CHEN, Chinese AI artist; as well as other industry representatives, addressed both the opportunities and challenges in areas such as creative control, visual consistency, and production efficiency, while also discussing how AI is accelerating content creation and empowering smaller creative teams.

    Building on this discussion, the panel titled “Reshaping Light and Shadow: Film Aesthetics and Authorship in the AI Era,” featuring local film director and HKUST alumnus Mr. KA Sing-Fung; local film producer Ms. TO Chi-Long; Korean film director Prof. Chul HEO; and other academic representatives, explored how AI is reshaping cinematic aesthetics and authorship, highlighting the importance of integrating tools, performance, and storytelling while preserving creative originality. Another panel titled “Cultural Memories and Digital Heritage,” featuring Dr. Vennes CHENG, Lecturer of AMC; Mr. HO Rui-An, Singaporean artist and writer; and other experts, examined how AI can reconstruct and reinterpret historical materials while emphasizing ethical considerations in balancing preservation, interpretation, and authenticity.

    Beyond the screenings and discussions, this year’s Festival introduced an exhibition gallery showcasing AI film materials and selected student projects from AMC in an immersive, installation-based format, featuring works such as interactive robotic arms and a facial-capture device. To further enhance real-world impact, AIFF also strengthened its industry engagement through strategic collaborations with leading AI enterprises, including Tencent, Kling, TapNow, and MiniMax, effectively bridging academic innovation with professional AI filmmaking practices.

    As part of its commitment to nurturing future talent, HKUST further enriched its educational outreach for this year’s AIFF. A series of workshops and a 36-hour AI film hackathon for secondary school students were introduced in March to deepen their understanding of AI generated content and to empower the next generation of innovators. The winning student work premiered during the Festival’s opening screening, reinforcing the event’s role as a platform where education, industry, and creative practice meaningfully converge.

    Prof. Qu Huamin, Dean of AIS at HKUST, said, “The HKUST AIFF is more than a celebration of digital creativity; it also bridges the gap between cutting-edge research and real-world practice, driving the development of art and technology in academia and industry. This flagship initiative demonstrates AIS’s ongoing commitment to fostering innovation and social impact through interdisciplinary collaboration, while nurturing versatile talent in our rapidly evolving world.”

    Prof. Fu Hongbo, Acting Head of AMC at HKUST, expressed his gratitude for the contributions of AMC student teams who were actively involved in planning and organizing the AIFF. “At HKUST, we see AI film as a unique meeting point where creators, researchers, industry partners, and students unite to explore new possibilities in storytelling. This year’s AIFF continues to grow not only in scale but also in ambition. Through these efforts, we hope to foster a sustainable and dynamic ecosystem for AI‑driven creative practice.”

    Having established Hong Kong’s first Division of Arts and Machine Creativity in 2024, HKUST continues to demonstrate its dedication to promoting AI integration in the creative industries and advancing art tech education and research through AIFF.

    *The full list of awardees, together with their winning works, is available here.

    Download photos here: https://hkust.edu.hk/news/hkust-2nd-ai-film-festival-concludes-successfully-showcasing-global-excellence-ai-creativity
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